Martin Scorsese
Martin Scorsese signature backdrop

Director dossier

Martin Scorsese

Scorsese is one of the central architects of modern American cinema, a filmmaker who can make guilt, appetite, status, faith, and violence feel inseparable from movement itself.

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Coverage
What to watch next

A guided Martin Scorsese path

kinetic camera grammar + moral corrosion in three moves.

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Why this director matters

For Cinema One, Scorsese matters because he anchors a whole lane where rhythm, performance, masculine self-mythology, and moral collapse all meet. He is not just canon, he is one of the clearest ways to show how style can intensify judgment instead of softening it.

Born
1942, New York City, New York
Nationality
American
Active years
1967 - Present
Signature
Kinetic guilt cinema where crime, faith, appetite, and performance keep collecting interest
Avg IMDb
8.1
Oscar wins
1

Signature traits

kinetic camera grammarmoral corrosionmale self-mythologymusic-driven propulsionCatholic guilt

Tracked filmography

Mean Streets
Mean Streets
1973

The first major Scorsese statement, raw and restless, already binding street life to guilt and spiritual panic.

Taxi Driver
Taxi Driver
1976
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An urban fever dream that turns alienation, fantasy, and violence into one of the defining American character studies.

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Raging Bull
Raging Bull
1980
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A sports film only on the surface, really a brutal self-destruction portrait rendered with frightening formal control.

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The King of Comedy
The King of Comedy
1982

A humiliation comedy about celebrity hunger that has only grown more prophetic with time.

After Hours
After Hours
1985

Scorsese proving he can turn one bad night into pure tonal velocity.

Goodfellas
Goodfellas
1990
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The gangster movie as seduction and indictment at the exact same time.

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Cape Fear
Cape Fear
1991

A studio-thriller flex where pulp excess becomes part of the pleasure system.

Casino
Casino
1995

A Vegas epic about management, greed, and collapse, colder and more sprawling than Goodfellas.

Gangs of New York
Gangs of New York
2002

Messy but enormous, an origin-myth movie about America as permanent factional conflict.

The Departed
The Departed
2006
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A remake turned into a live wire of paranoia, class aggression, and masculine panic.

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The Wolf of Wall Street
The Wolf of Wall Street
2013

Scorsese at his most corrosively funny, making excess feel thrilling and poisonous at once.

Killers of the Flower Moon
Killers of the Flower Moon
2023

A late-period reckoning with American violence, greed, and institutional murder.