Director coverage lane

Nia DaCosta

DaCosta gives Cinema One a needed women-directed Black horror lane without turning breadth into homework. Her strongest fit here is Candyman: genre legacy as argument, art as extraction, and horror that asks who gets remembered as a monster.

Use this page to see which titles are already fully shaped, which ones still need authored modules, and which upcoming watch items should stay live.

Current lane health

20%
Coverage
1
Live pages
5
Tracked titles
0
Watch items
1 live title still needs another editorial pass before this lane feels complete.

Tracked filmography

What is covered, pending, or still only being watched

Little Woods
2018
tracking only

A border-town pressure drama about sisters, health care, money, and survival choices narrowing by the hour.

Candyman
2021
live page

The live Cinema One anchor: Cabrini-Green, art-world consumption, mirror mythology, body horror, and shadow-puppet memory fused into one Black horror argument.

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The Marvels
2023
tracking only

Studio-scale superhero work that makes DaCosta part of the modern franchise-director conversation even when the machinery is bigger than the authorial signature.

Hedda
2025
tracking only

A literary-pressure swing that suggests DaCosta’s interest in social rooms, status, desire, and performance beyond horror.

28 Years Later: The Bone Temple
2026
tracking only

Upcoming post-apocalyptic horror continuation, useful to track because it returns her to genre inheritance after Candyman.

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