A great test case for whether style can be the emotional substance instead of mere decoration.
Drive divides people because its restraint and cool can look empty from the outside. The stronger case is that Refn turns neon surfaces, silence, and abrupt violence into the whole language of a man who barely exists outside role-play and motion.
Argument context
A Hollywood stunt driver and getaway specialist tries to protect one fragile romance, but Drive keeps turning his control system against him: silence becomes longing, synth-pop becomes confession, and violence exposes the monster inside the hero pose.
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